Oscar Enberg’s sculpture and painting practice is preoccupied with the ways in which class and taste are distilled in objects. Drawing from both official and anecdotal histories, with a particular interest in the domestic and diminutive, Enberg creates work that emerges from a distinctly continental milieu. Across an idiosyncratic and often times arcane studio-based practice, the artist muses on the perversions of class, conservatism and tradition. Engaging with longstanding and increasingly precarious modes of ‘Handwerk’, and regularly collaborating with craftspeople and artisans, Enberg’s work is at once recognisable and strange, operating in the uncanny between the mundane and perverse.