Vienna-based artist Tatjana Danneberg opens up her studio doors on the occasion of her exhibition with Anna & Bernhard Blume at the gallery. She talks about the ordered chaos of her studio practice and her instinctive and unplanned approach to the photographic image. Along the way, she reflects on what she shares with the Blumes despite working so differently, why bad photography can be a genuine method, and how stripping a picture down to nothing but light and shadow turned out to be exactly what this exhibition needed.

On the occasion of her current solo exhibition at Super Super Markt, we spoke to New Haven-based sculptor Jilaine Jones about her studio rituals, her materials of choice, and how ancient bas-relief continues to shape her thinking. From the quiet discipline of her morning studio routine to her deep engagement with mass, weight, and material, Jones reflects on a teenage encounter with Mondrian paintings — and why a Roman bas-relief captures something essential about how she works and what she believes in.

The multi-disciplinary, Los Angeles-based artists Adrienne Maki and Omari Douglin look back at collaborative exhibitions, the origins of their artist-run space Room 3557 and their experience of recent life in Berlin, where over the course of 2 months they created the show Adrienne und Omari. Reflecting on this new collaborative body of work, the two share how it adds a fresh perspective onto their own individual practices and art as a whole.