Statement works: Grace Weaver

Wobbly, 2021

Charcoal on paper
61 x 45.5 cm
24 x 18 inches

"I leave these breadcrumbs in my works, where you can kind of figure out what came first and what came before that and unpack them."

– Grace Weaver

Grace Weaver

Wobbly, 2021
Charcoal on paper
61 x 45.5 cm
24 x 18 inches

First presented in the group exhibition 24h (2022) at BRAUNSFELDER in Cologne, Wobbly (2021) dates from a pivotal time in Grace Weaver's practice. The artist's charcoal drawings turn an incisive yet empathetic eye onto the self-conscious performativity and precarious footing of her contemporaries. Depicting emotive, elastic-limbed figures that drip tears into their coffee mugs and collide on bustling street-corners, her works on paper capture movement with an economy of expression to convey the interior and social narratives underlying everyday excursions in public space.

24h, Installation view, BRAUNSFELDER, Cologne, 2022

Wobbly, 2021 (detail)

Grace Weaver’s charcoal drawings are imbued with a buoyancy and lightness that belies the weight of her figures’ rounded limbs. As opposed to the defined solidity of her paintings, in her drawings volumes are more tenuously contained by a delicate line that is alternately confident and wavering.  Passages of smudged-out charcoal convey a sense of perpetual motion and reveal the process of her compositional thinking.

"There is an undeniable charm to be found in the way that Weaver paints female bodies. Brought to life with masonry brushes commonly used for concrete, each torso on view is an hourglass-shaped swirl of dusty pink and white oil paint accented with black dashes demarcating the back of a knee or the nape of a neck. Perversely, it's the weirdness of these characters' mittenshaped hands, long necks and sloping shoulders that really bring them to life, a pleasant reminder that beauty is more than being possessed of a symmetrical face or a thigh gap."

– Chloe Stead, critic, FRIEZE

Grace Weaver (b. 1989 in Vermont, USA) graduated with an MFA from the Virginia Commonwealth University, Richmond in 2015. Her work is featured in the collections of Yuz Museum, Shanghai; Kunstpalast Düsseldorf; Philara Collection, Düsseldorf; 8smicka Collection, Humpolec; Chrysler Museum of Art, Norfolk; FRAC des Pays de la Loire, Carquefou; ARoS Museum, Aarhus; and the Pizzuti Collection of the Columbus Museum of Art, Columbus.

📸 Galerie Max Hetzler

"The paintings are very close and enmeshed in my life. There’s no place for retroactive reflection as such, while painting. Better to act and record instantly. I don’t step back much, when a painting is coming along. Fussiness and delicate revisions are to be avoided. Enough of life is already characterized by self-doubt, over-thinking and muddling words … Painting is a place of directness."
– Grace Weaver

Opening at Galerie Max Hetzler in Berlin on September 11, Mothers marks Grace Weaver's fifth solo exhibition with the gallery, and her first in one of their Berlin spaces. In her latest series, Grace Weaver turns to archetypal motifs, including the mother and child, and the female nude. For Weaver, the body is not just a subject but a site – a stage on which line is choreographed in lyrical gestures, and through which emotion comes to the fore. Despite their monumental scale, Weaver’s new works disclose humble subjects and tender sentiments.

Solo exhibitions of the artist’s work have recently been held in international institutions including Yuz Museum, Shanghai; Neues Museum, Nuremberg (both 2023); Oldenburger Kunstverein; Kunstpalais Erlangen (both 2019); Kunstverein Reutlingen (2017); and Dakshina Chitra, Chennai (2012).