Angharad Williams multi-disciplinary practice is recently concerned with themes of incarceration, sight, sound and what it amounts to, artistic provocation and the destruction of the self. Central to Williams’ work, is the topic of security - a condition born between freedom and its confines. Williams runs a roaming group project called ‘The Wig’ which acts as an extension, both physically and conceptually, of Williams’ research interests and collaborative practice.

A solo exhibition of Williams' work, Eraser, took place at the Kunstverein Düsseldorf in 2022.

Angharad Williams was born in 1986, Ynys Môn, Wales. She now lives and works in Môn, Wales and Berlin, Germany.

Exhibitions

Williams’ work has been presented in numerous solo exhibitions, including: Eraser, Kunstverein für die Rheinlande und Westfalen, Düsseldorf (2022); Picture the Others, MOSTYN, Llandudno (2022); Something is better than nothing, or?, Halle für Kunst (Offsite), Lüneburg (2021); High Horse, Kevin Space, Vienna (2021); Without the scales, Schiefe Zähne, Berlin (2020); Witness, Haus Zur Liebe, Schaffhausen (2019); Island Mentality, Peak, London (2019); Scarecrows, Liszt, Berlin (2018)

Her work has also been shown in selected group exhibitions and performances, including: 24h (in collaboration with Super Super Markt), BRAUNSFELDER, Cologne (2022); The Wig, Bonner Kunstverein, Bonn (2022); Löwengasse, Cologne (2022); FriArt, Fribourg (2021); KW Institute for Contemporary Art, Berlin (2020); Stadtgalerie Bern, Bern (2020); Kunstverein Munich, Munich (2020); ICA, London (2019); No Bounds Festival, Sheffield (2019)